Giacchino, like Edwards, has absolutely nailed it, delivering a score that is faithful in orchestration style and thematic construct to John Williams’ scores for the original movies, especially A New Hope, but one that never descends into anything like pastiche.
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Whatever the reason given (and “scheduling difficulties” was the official explanation offered by Lucasfilm) Desplat’s replacement Michael Giacchino ( Lost, Star Trek Into Darkness) apparently had only four and a half weeks to compose his Rogue One score. His musical challenge: to answer the same question no doubt also then burdening director Gareth Edwards – how to break new ground in the Star Wars franchise with these standalone movies, without alienating a passionate fanbase?
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It’s still a bit of a mystery why Academy Award winning composer Alexandre Desplat ( The Grand Budapest Hotel, The King’s Speech) was suddenly removed from his duties on Rogue One in September 2016, just three months before the movie opened.
This is Elliot’s first post for the Manor!) At Celebration Europe 2016 I got to spend some good quality time with these two wonderful Star Wars fans and have been good friends with them ever since. In Advance of His 50th Birthday Concert, Rogue One Composer Michael Giacchino Looks Back on StarWars.(I met Elliot Marsh and his wife Felicia at Celebration Anaheim in 2015 and managed to stay in contact despite them living across the pond in England."The Imperial March," "Rebel Fanfare," and "The Force Theme" "The Force Theme" and " Star Wars Main Title" Rogue One theme, dark side motif, "The Force Theme," and Princess Leia's Theme " Rebel Fanfare," A New Hope Imperial motif, Guardians of the Whills motif, Rogue One Imperial motif, and Death Star motifĪ New Hope Imperial motif and " The Imperial March" Additionally, appearances of the Rogue One main theme/hope motif is denoted with a † symbol.ĭeath Star motif and Rogue One Imperial motif As Jyn Erso's theme, which was repurposed from a section of the A New Hope track " Tales of a Jedi Knight/Learn About the Force," appears frequently throughout the Rogue One soundtrack, any appearances of Erso's theme is denoted with a * symbol. The tracks are listed by the order of the original soundtrack. Rogue One music is reprised in later Star Wars media both the hope motif and the leitmotif for the squad Rogue One are played in the LEGO Star Wars: All-Stars episode " The Good Stuff!." The Rogue One theme was also used to introduce Diego Luna ( Cassian Jeron Andor) and Alan Tudyk ( K-2SO) at D23 Expo 2019 when the pair discussed the upcoming Star Wars: Andor televisions series. The CD sleeve includes jokey alternative titles for each track, reminiscent of the puns Giacchino usually employs in his scores. The original soundtrack was published by Walt Disney Records on compact disc as well as vinyl record. The soundtrack includes 21 tracks, which give a total runtime of over 69 minutes. A chorus is used for the tracks "Your Father Would Be Proud" and "Hope," which plays in the film as its protagonists and other members of the Rebel Alliance meet their death. The Rogue One soundtrack also makes extensive use of dies irae, which forms a significant part of Jyn Erso's theme.Īlthough the musical score does not begin with the " Star Wars Main Title" as with the Star Wars saga films, the Main Title is briefly played in the track "Scrambling the Rebel Fleet," when C-3PO and R2-D2 appears on screen. In addition to developing new themes and motifs such as the The Imperial Suite and the messenger motif, the film score incorporates leitmotifs from John Williams' Star Wars scores, particularly those from Star Wars: Episode IV A New Hope. It was released on December 16, 2016, the same day as the film itself. The Rogue One: A Star Wars Story soundtrack was composed by Michael Giacchino for the film Rogue One: A Star Wars Story.